Goddess of the Hunt
Rating: ★★★☆☆ (3/5)
“Artemis was a beauty, a terror, a force that nature bowed to, but only because she had bowed to nature first.”
A poetry collection about the life of Artemis, the Greek Goddess of the Hunter. Told through her perspective with the contribution of other Greek Goddesses. Eileen reimagines Artemis’s life and interprets her vow of chastity as aromanticism and asexuality.
There’s not much I can say for this as someone who isn’t an avid poetry reader, hence the short review, but I really liked the way Eileen uses Artemis to discuss self-love, sexuality and gender. It’s been a while since I’ve read mythology, but I’ve always had a soft spot for mythological interpretations. I can’t say I connected with most of the pieces, but the concept is unique.
There are also a few pieces which are from the view of other goddesses around Artemis. I had anticipated finding this jarring, but I was wholly surprised to find that I really enjoy their snippets. It includes Demeter, Persephone, Athena and Hera. (Along with others..) It’s a fun little read for anyone.
Kim Jiyoung, Born 1982
Rating: ★★★★★ (5/5)
*I received a copy via the publisher and NetGalley in return for an honest review. This in no way affected my opinion of the book.*
“Why do I have to deny myself something I want right now to prepare for a future that may or may not come?”
Through the eyes of her therapist, we follow the life of Kim Jiyoung as she experiences everyday sexism all from birth, youth and into her adulthood where she becomes a stay-at-home mother, and begins to unravel under pressure.
Kim Jiyoung first came to my attention last year when a member of K-pop group Red Velvet, Irene, had recommended this book during a fan signing. I still remember the aftermath where many of her male fans cursed her, insulted her and even burnt pictures of her. Back then, a translation of the book did not exist, so when I found out it was being translated, I jumped at the opportunity to review one of South Korea’s best-selling feminist novels.
Rather than a full-length novel, Kim Jiyoung is more of a series of anecdotes – a string of events that chronicles her life, with interspersing stories of the women around her, e.g. her mother, mother-in-law and sister. The style is very objective, and the tale integrates quantitative and historical data.
The story is mainly set in Seoul, SK, but her experience is universal. Jiyoung realises from a young age that being a girl means something different, something less. She is served food last in her family, and if her siblings need to share, her younger brother is automatically given his own share while she shares with her sister. “He’s the youngest.””You mean he’s the son!” Just those two lines hit very close to home for me.
The story follows select moments of her life that reflect that society she is in. From the schoolboys who tease her to the men who force her to an uncomfortable alcohol-laden dinner party, the everyday sexism she is forced to accept slowly takes a toll on her. This book is so simple in its concept, and the fact that it angered so many men does not surprise me. It holds a mirror to their privilege without actually calling them out, uncomfortable enough to make them uncomfortable. It lays down the facts and backs itself up, sending the message that hey this is what women are facing in Korea and it’s not okay. The story of Kim Jiyoung is full of silence but every bit powerful.
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